9/9/2023 0 Comments Vox amps jobs![]() I sincerely hope there is more development on it coming. The only reason I'm even writing this is because I think that UA listens to its customers. But these three changes would make this that best amp modeler on the market even without midi and all of these are possible and dare I say - easy - to implement from a software perspective. So yes, I'd love full midi implementation, I understand that will not happen. ![]() I know why you just wanted the amps to be as they are and be faithful to the specifics, but I could replace the trem pedal on my board if I could use ruby's tremolo with the brilliant channel. Please let me use the tremolo on the brilliant channel. A high pass and low pass filter would get us 90% of the way (again eq changes are there in the artist presets, I know it's possible).ģ. I like the speaker choices, but sometimes I'd like a different microphone on that speaker.Ģ)Add a way to make basic eq changes. But since I think it's impossible for them to add that functionality later, I'll concentrate on what could actually be improved while letting UA stick to their no midi philosophy.ġ) Add a way to change which microphone is used on which speaker (I know it's possible - artist presets show it is). I wish all of the UAFX pedals had midi and I do think it's a mistake. I really took advantage of the midi in that box and loved being able to use midi switching to turn the drive knob up and down. I've tried them all, but I'm coming from a square black box modeler that gave me three options and full midi control. Other people have said it, but this by far the most "amp like" modeler. ![]() I've also enjoyed the Woodrow unit, and was interested in getting that one at first, but actually using them both made me understand that I am not that much of Tweed guy.įirstly, the sounds are really cool. I 've used many units, including completely digital, amp through IRs, amp and/or cab pedal platform units, and this thing offers the greatest experience! I need one, to replace a big, heavy, loud thing called guitar amplifier, with something manageable volume-wise (which, for most of my applications, means silent) that when connected to a studio, or live PA system feels like an amp to me, so that I can focus on the guitar, playing dynamics, use of guitar volume/tone controls. In all honesty, and this is a personal choice, all that people say against these tools don't apply to my needs. Sure, it is limited, it does not offer multiple micing techniques, MIDI control and all that stuff.but, it offers such a great amp feel in picking technique, break-up tones, transition from clean to overdrive, amp and (included) boost unit interaction and working with other pedals, such as demanding fuzzes. I've used it at a couple of different applications, since I purchased it yesterday, and it has proved that it's worth every cent! ![]()
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